Author
Amir Said
Amir Said (aka Sa’id), is the founder and editor-in-chief of The Art of Sampling and the creator and series editor of the Best Damn Hip Hop Writing book anthology. A writer, publisher, and beatmaker/rapper from New York (now living in Paris, France), Said is also the founder of BeatTips and the co-founder of the publishing company Superchamp Books. He is an author with a number of books to his credit, including ‘The Art of Sampling,’ ‘The BeatTips Manual,’ ‘Ghetto Brother,’ and ‘The Truth About New York.’ He is also a recording artist with a number of music projects, including the albums 'Soul Review' and 'The Best of Times.' Follow him on Twitter at: @amirsaid and @Art_of_Sampling.
Early funk from obscure, little-known band from Long Island, New York offers a great education on the relationship between the drum patterns of modern beatmaking and that of those found in early funk music.
Digging In the Crates Is Cool, But E-Digging Is Great Too
There are a number of beatmakers (some of them very notable) who view e-digging as some sort of bad or inferior process. Inasmuch as e-digging is, fundamentally, a means for searching for and finding new music, I don’t see how anyone can…
Cross-Generational Jam Sessions: The Main Reasons Why Sample-Based Beatmakers (producers) Sample
Every musician, every artist, working from within a specific tradition or medium makes the decision whether or not to stick to or scale away from the fundamental techniques and philosophies of that tradition or medium. In this way,…
Why A Compulsory License for Digital Samples of Sound Recordings Is A Bad Idea
“The Framers of the Constitution were excellent social psychologists.” Their premier foresight was about the balance of power, the establishing of checks and balances, so that democracy could prevail and a monarchy could never take hold.…
The Music Industry’s Policy On Sample Clearance Is Prior Restraint, and the RIAA Must End It
With regards to sampling, the Constitution already protects our right to the freedom of speech. The public is also shielded from what is legally known as prior restraint. According to the definition by Cornell Law School’s Legal Institute,…
MC Lyte – “Paper Thin”: An Example of Avoiding Overproducing
You’re in the lab making a new beat. You’re nodding your head to it. The beat is dope — almost, you think. You just have to add one more thing.
Hold up, wait a minute!
Before you add that “next thing,” always consider whether or not…
An Ear for Music & Samples: Kool G Rap – “Cakes” feat. RZA (prod. by RZA)
Whether it’s a beat that’s built around multiple micro-chops or a 2-bar loop, what’s always in play is a beatmaker’s (producer’s) ear for music. In Chapter 9 of my book ‘The Art of Sampling: The Sampling Tradition of Hip Hop/Rap Music and…
All Sampling Is Creative: A Critique of the “Lazy Sampling” Misnomer
After reading this article "The Dangers of Lazy Sampling for Producers" by Sample Hunt, I was compelled to write a corrective. You see, Sample Hunt uses the moniker “lazy sampling” to essentially describe any sampling that’s not intricate.…
The Sample Clearance “Tax” and the Primary Beneficiaries of the Sample Clearance System
The following is an excerpt from 'The Art of Sampling: The Sampling Tradition of Hip Hop/Rap Music and Copyright Law, 3rd Edition' by Amir Said.
When the music industry first took notice of sampling, their burning question had to…
On “Genius” and the Notion That Art Happens Without Work
Both Michelangelo and Mozart are recognized today as geniuses, just as they were recognized as geniuses in their own the time. One parallel among these two geniuses is how self-aware they were about the “work” that went into the “mastery”…